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Original Scores & Sound Design
I create music, sound, and concepts for narrative and interactive projects – from immersive podcasts and art installations to film and live hybrid performance.
My work threads atmospheric layering and playful wonder through the needle of emotional longing to stitch together vivid worlds and stories.
Here are some of the multimedia projects I've poured my heart juices and creative mischief into.
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4 hours of scoring, engineering, and sound design for an immersive bilingual podcast split into 4 stories. Staged in 2 suburban regions of Montreal (Montreal West & Beaconsfield), and inspired by its real-life inhabitants. Written & directed by Stephanie Merulla, and supported by the Québec Writers’ Federation, Conseil des arts de Montréal, ELAN, the Ontario Arts Council, and the Government of Canada.
Composed looping music and sound triggers, core concept, lore writing, and construction for ongoing incarnations of a Norse-inspired art installation series, co-created with Antonio Carito. The 2019 "Lodestone" edition that appeared at Hyperborea (a regional Ontario burner event) was a technologically interactive scavenger hunt and tiny house-sized puzzle box solved with runes. The 2025 edition at Camp Reset called "The Gather Ring" will be a synaesthetic installation where multisensory effects are unlocked by participants who harmonize in the spirit of play, colour, and shared communal impulse.
A "stimming sanctuary" in the forest inspired by faerie rings and the German concept stimmung (meaning atmosphere, mood, and tuning). Built out of 30 minutes of new ambient music, 3D printed crystals to house speakers, mood lighting to sculpt tree shadows, and fidget toys. Intended to offer respite from loud areas and sensory overload, and to soothe the nervous system.
Nyx (2025)
Composed the cyberpunk ballad "Ember Glow" for Thadea Decora's art installation and sculpture, which was featured at Ontario Place's Lumière: The Art of Light Festival from March 10 to April 4, 2025. It was also featured at the AGO, and will be set up at the 2025 edition of the Harvest Festival.
I reimagined and expanded my track "Fear and the Panther" to accompany the 1910 version of Frankenstein. Originally performed as a live score alongside a series of silent horror films from the early 1900s, I felt like the eerie medieval approach and imagery deserved a darker and more dynamic soundtrack.
Surreal sound design, experimental foley, and drones are the heart of my first short film, cobbled together from contact mics, field recordings, and voices (human, animal... and otherwise). Tagged as a "food exploitation fantasia" that was featured in the YoungCuts Film Festival, inspired by the stylings of Eraserhead, Tetsuo, and 70s exploitation cinema. Subversively made within the parameters of needing to use a 16mm bolex in black & white with non-synched sound for an assignment.
